Nov 11, 2025
3 min read
Revelation is a long time at the box office.Sosssai, 36 years old, originally lives in Belluno and Veneto: I worked as a TV and theater wedding. I have worked as a TV cameraman and theater director.
"Cities of the Valley", director Francesco Sasai: "My negative film is loved because it is true. I worked as a waiter and petrol attendant, in Padua I cleaned cells.
The revealing film stayed in the top ten box office for a long time.Sossai, 36 years old, comes from Belluno and lives in Venice: «I worked as a TV cameraman and usher in the theater»
"Broken aluminum: pure irregular and non-linear form".If this line means nothing to you, Francisco Sossuni means you haven't seen the cities of the plain.And if you haven't seen it yet, you better hurry.Because a few days ago in Rollon, with more than 275 thousand viewers and more than 1.200.000 euros, by receiving ten ballots and more than 1.200.000 euros, with more than 275 thousand viewers and more than 1.200.000 euros.and collected more than 1,200,000 euros.For thirty-six years he has been working in Rome in a certain way, last year he lived in Padua and only this year he said: "I will live my work".
Sossai, did you expect this success for your film?
"I always believe in the movie, it happened to me."
And instead it became a movie that you "must" see.For what?
"People feel that the film is about things in their lives. You don't have the reason of similar films, they see something that is material in the middle, people see something that is in something.
How?
"It doesn't mean that I feel represented by this character, because for me it's a bit absurd: to be represented you have to go to the vote, not to the cinema... People feel that they're talking about their own world, because they're doing it by taking the form of Italian comedy. Monicelli said that the cinema was talking ironically about serious things, and that's kind of hard to lose in the cinema. things.
NOTES OF THE CHURCHES, Dorianovilla) and CarlobiabianchiciTi (Sergio Romano) Sleep all the time, around the last shadow.He took a huge risk representing these two men.
“Already represents two men…”
More white...
«(Rosas, editorial) The absolute evil of our time...».
But he held their hand.
"I don't condemn him and I don't judge him. When we see a person for the first time, we are quick to judge ourselves. But when we go to his house, see what his relationship with humanity is, the difficulties, I can't help feeling. The problem today is that there is no more empathy. The gamble is to make a film that is not true. But I cannot differentiate, because I refuse to be politically correct."
What? Any idea why the "ma's generation" isn't happy with this film?
"Because they are still there and don't give up."The old people "are afraid that there is a new generation. And this causes the young director to laugh ...".
How much work did he do?
"For many years I have worked as a stand in Management, Pizzerias, Berlin of the temple, I have made a passion for Padua, I have worked for another cream for clarity and I will no longer have the passion to enter."
Is there any of the following houses in this movie?
"For example, two of Carlobianchi's colleagues, when he left to work for a clearing company after the crisis in 2008, are my former colleagues. I also wanted them in my previous short - Enrico's birthday - and I will call them again. "
Why did you choose to live in Venice?
"I went ahead and said to myself, 'I want to experience it.'As long as there is beauty, the world will understand.
Which cinema do you like?
"All, I was a cinephile child. In Belluno I went to Cinema Italy and Cinema Edison. Then I was a child of VHS, rent and in the library. My mother gave me love for European art house cinema, my father for American cult films: the new Hollywood of Coppola, Scorsese, Altman and then I received a high school education and I still love at school. Fury 21:00 pm, 6 amAnd then I found things "heavier" and discovered ballet tango by Bela Tar, I went to Berlin to study with him.
